AI Film Club: 2/12

February's AI Film Club moved from a tribute to Matt Jones into practical demonstrations of scoring, virtual production, audio, and multi-tool orchestration. The February 12 gathering at the H.R. MacMillan Space Centre recorded seven public videos, including a compact event recap and the individual sessions.

The event recap is the quickest way into the night. The longer record begins with the Film Club opening and Matt Jones tribute, then turns toward what creators were testing and learning.

Three production problems, three demonstrations

Daniel Moon demonstrated automatic music scoring for video and framed it around the needs of small creative crews. Jakub Kuczynski shared a solo action-film workflow using AI and Unreal Engine on a 3070 Ti. The hardware detail matters because it makes the session a specific production account, not a general promise about access or performance.

Kevin Friel returned the room to audio fundamentals: how professional sound works for independent film, and where he sees AI audio tools helping. None of the three recordings establishes that one workflow is right for every project. Together they document three production approaches that filmmakers can compare.

From one prompt to a tool chain

Another session looked at Kling 3, SeeDance 2, and what the speaker called the orchestration era. The archive frames the shift as a move away from relying on a single model and toward coordinating several creative systems. That claim belongs to the talk; the recording is available so viewers can judge the argument in context.

The evening closed its public record with community announcements about AI film, storytelling, and opportunities for Vancouver creators. The archive does not claim outcomes from those opportunities. It records the announcements alongside the screenings and demos so viewers can follow the work beyond a single night.