Philippe Pasquier directs Simon Fraser University’s Metacreation Lab, where research and artistic practice meet around generative systems, machine creativity, sound, and interaction. His spotlight connects that long-running work to a public community learning in real time.
The recording is valuable because it keeps research close to practice. Workshops, experiments, and open technical conversations become ways for artists and builders to encounter ideas that might otherwise stay inside an institution. Philippe’s place in the contact sheet connects lab research with public workshops, treating computational creativity as a field with history, methods, and consequences.


